7/26/2023 0 Comments Autumn de wilde director![]() The line between art and advertising, is effortlessly blurred by de Wilde. Through her portraits, music videos, commercials, books and films, she has defined the visual identity of some of entertainment’s greatest talents. Each of her projects is an intimate collaboration between her and her subjects. But even with this type of economic security affording her a certain independence, the book’s Emma is still under the reign of patriarchal rule and gender power dynamics.Director Autumn de Wilde documents the ever-changing cultural zeitgeist. In a very modern way, Emma is able to approach the subject of marriage from a perspective of desire over necessity. Emma is different from Austen’s other heroines in that she possesses a large fortune, which eliminates the urgent need for matrimony. Flynn’s scruffy, 20-something boyish looks and earnest, slow-burning desire for Emma help to reconcile the age gap and shift the power dynamics of the original novel, making it more palatable for modern audiences.ĭuring Austen’s time, women were not only corseted at the waist, but were restrained by strict social etiquette and laws that prevented them from owning or inheriting land. Knightley is 16 years older than Emma, which would have been a normal age difference in Austen’s time, but might seem uncomfortable and antiquated to modern viewers, not to mention a bit creepy. These flashes of vulnerability and emotional awareness introduce a new, softer brand of masculinity to the character that compliment Austen's 19th century heroine from from a 21st century sensibility. Knightley’s eyes are seen tearing up at a wedding. Knightley finds himself overwhelmed by the force of his passion and throws himself onto the floor of his estate - Donwell Abbey, breathing heavily and tearing at his cravat and overly-starched collar in a moment of panicked exigency. Related: Every Movie Releasing In February 2020 Flynn’s representation of Knightley - ardent and uncertain in the pangs of love - is both refreshing and appealing, transforming the character into one of flesh and blood. Knightley is a practical and compassionate man who serves as a sort of moral mentor to Emma’s younger self, his stuffy demeanor and counsel come off a bit stale to modern sensibilities. Knightley is layered with nuance and tempered with a range of internal conflict bordering on the existential. ![]() With chin-grazing mutton chops, Johnny Flynn looks more like a Hobbit of the Shire than the traditional Austenian leading man, but his salt of the earth depiction of Mr. One of the biggest changes to Emma in the movie adaptation is the fully-realized characterization of Mr. Although Wilde expertly plays within the contextual themes of the novel, she inserts a few modern twists of her own - most notably, the film’s underlying statement about masculinity and the shifting power dynamics of gender roles. ![]() The movie captures the playful tone, satire and penetrating wit of Austen’s novel, and Wilde takes care to satisfy cherished staples of the Regency period drama canon - elegant ballroom scenes, lavish set design, comedic impropriety contrasting the period’s strict decorum, witty dialogue, and a revelatory moment in which the film’s protagonists stride across a lawn toward one another to boldly declare feelings of long-repressed love. Taylor-Joy’s Emma saunters about the fictional village of Highbury - spoiled and proud, yet inherently likable - the most-popular girl of Regency England. Wilde’s vision of Emma is whimsically nuanced, punched up with vibrant colors, a droll soundtrack, deliciously eccentric performances and a slick self-assuredness akin to the story's eponymous character. Related: Little Women: Every Adaptation Ranked (Including The 2019 Movie) Predictably, her match-making skills leave a lot to be desired, and complications ensue that drive the plot toward Emma’s own romantic awakening. Leading a charmed life, Emma avoids the societal pressures of matrimony by placing her aristocratic nose into the business and romantic interests of others. Emma lives at home with her finicky and aging father, played with gleeful relish by Bill Nighy in a small but scene-stealing role, and is frequently visited by her moralistic brother-in-law and life-long friend, resident bachelor George Knightley, (characterized with intense candor by Johnny Flynn). ![]() In the 2020 movie version, Emma is portrayed with coquettish flair by Anya Taylor-Joy, whose penetrating doe eyes and self-aware coyness strike the right balance between the character’s genuine kind-heartedness and smug superiority.
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